Year he accepted a different commission which resulted in the
In the end this plan came to nothing, but the following In what might be regarded as a parallel with Brahms’ German Requiem, or Janáček’s Glagolitic Mass, his first real thoughts centred on a Polish ‘Peasant Requiem … some sort of mixture of naïve devotion, paganism and a certain rough peasant realism’. In 1924 Szymanowski was commissioned by the French music patron the Princesse de Polignac. Most expressive and resonant works and is one of the glories of Despite its modest size and forces, it is one of his Undoubtedly, however, his vocal-instrumental masterpiece is the Stabat Mater. The two short cantatas Veni Creator and Litany to the Virgin Mary. Towards the end of his life, he composed choral music on sacred topics, His collected songs run to four CDs, he wrote several stage works, notably his opera King Roger, while both the Third Symphony and the ballet Harnasie (Mountain Robbers) include a tenor solo and chorus.
Spraw niech płaczę z Tobą razem (Let me share with thee his pain).O Matko źródło Wszechmiłości (Can the human heart refrain).I któż, widząc tak cierpiącą (Is there one who would not weep).
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